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DAMAGED CARE: Agitprop comedy. By Joan Holden and Karim Scarlatta.
Performed by the San Francisco Mime Troupe, directed by Dan Chumley.
(Through September 7. Bay Area parks. Free. Call (415) 285-1717.)
The San Francisco Mime Troupe taps its commedia dell'arte roots for
the 1998 free summer parks show. Masks, dance, some puppetry,
slapstick and a quasi-Italian setting may decorate the proceedings,
but it's no magic elixir.
``Damaged Care,'' which opened Saturday at Dolores Park, continues
the troupe's regrettable recent slump. Slackly plotted and performed,
the show takes a slow-footed trudge through the modern health-care
mess.
Joan Holden and Karim Scarlata's 75-
minute script is knowing and sharply observed in spots. But ``Care''
lacks the spine and kinetic energy that make this kind of political
theater capture a crowd.
Events don't detonate and build for the beleaguered nurses,
woebegone patients and scheming administrators. Things happen and
happen some more, without much acting muscle, and then it's over.
It's a message -- a plea for universal health care -- without a bottle.
Ed Holmes plays his customary Mime Troupe role, and not very
smartly, as a corpulent CEO villain.
This time he's Doctor Capitano, an executive determined to raise
profits by cutting services and privatizing Bologna General Hospital.
A black-caped venture capitalist (Victor Toman) goads him on with
threats of another corporation's takeover bid.
Velina Brown plays weary Nurse Basil, a ``care junkie'' who can't
quite bring herself to quit. Keiko Shimosato is a new resident fried
by a 136-hour shift and heavy student loans. Amos Glick, as an aide
turned unqualified ``medical associate,'' becomes a pawn in
Capitano's union-busting plan.
STUMBLING STORY
The plot, such as it is, turns on a hapless patient -- Michael
Gene Sullivan as the stock commedia figure Arlecchino -- who comes in
with a mysterious lump and falls in love with Nurse Basil. Bad enough
that he gets the runaround about his lump (``Follow the blue line to
the exit'') -- he nearly ends up with a broken heart as well.
The story stutters and never really gets going, and no one in the
cast makes much of an impression. But ``Damaged Care'' does score
some dead hits on HMO madness. The
single funniest scene parodies hospital voice-mail hell perfectly. A
knockabout scene in the emergency room has a good dose of black
humor, too.
Dead patients get sent to the ``parts department'' for organ
harvesting. Others are advised to call 1-800-NOT SICK for telephone
triage.
SHORT ON ANGER
``Damaged Care'' could use a wilder, angrier streak all along.
Director Dan Chumley uses puppets to suggest how patients get treated
as objects. But there's nothing audacious or inventive in the clunky
direction. Cast member Toman's spry ensemble dances are a bright spot
at the start and finish of the show.
The Mime Troupe's July 4 openings always draw a faithful throng,
and Saturday's was no exception. But it's hard not to sense something
perfunctory behind the loyalty.
The Troupe's shows are just not as vivid and agile as they once
were. With last year's dreary ``Killing Time'' and the ordinary
``Soul Suckers from Outer Space'' in '96, the company has hit a
three-year lull. Remember ``Back to Normal,'' ``Coast City
Confidential,'' ``Secrets in the Sand'' and the popular ``Factwino''
cartoons?
Maybe a great script could lure the sorely missed Sharon Lockwood
from her Mime Troupe retirement. Let's hope so, and hope that one of
the country's true-blue political theaters can recover its vital
signs next year.
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