SCRIPT & DIRECTION:
Michael Gene Sullivan (Head Writer, Actor, SFMT Collective) is an award-winning actor, director, and playwright based in San Francisco. As an actor Michael has worked with the American Conservatory Theatre, the Denver Center Theater Company, Berkeley Repertory Theatre, Theatreworks, California Shakespeare Theatre, SF Playhouse, San Francisco and the African American Shakespeare Companies, and the Aurora, the Marin, the Magic, the Lorraine Hansberry Theater, and has been a principle actor for the San Francisco Mime Troupe for over 30 years. Michael’s directing credits include work with San Francisco Shakespeare Festival, TheatreFirst, the African American Shakespeare Company, Street Of Dreams Theatre Company, and over a dozen shows with SFMT. Michael was also director of the all-woman, all-clown Circus Finelli. From 1992 -1999 Michael was a Contributing Writer for the despite-its-name-never-silent, Tony and OBIE Award-winning San Francisco Mime Troupe before being named SFMT’s Resident Playwright 2000 to present. Michael is also a Resident Playwright for the Playwrights Foundation, and in 2017 was playwriting resident at the Djerassi Arts Center. Mr. Sullivan's political dramas, musicals, and satires include Walls (Ningun Humano Es Ilegal!), Treasure Island, For The Greater Good, Freedomland, Red Carol, Too Big To Fail, Did Anyone Ever Tell You-You Look Like Huey P. Newton?, Mr. Smith Goes to Obscuristan (with Josh Kornbluth), Godfellas, Too Big to Fail, Possibilidad or The Death of the Worker, the all-woman farce Recipe, and his one person show, Did Anyone Ever Tell You -- You Look Like Huey P. Newton? Mr. Sullivan's plays have been performed at the Melbourne International Arts Festival, the International Festival of Verbal Art (Berlin), The Hong Kong Arts Festival, and in Greece, Spain, Columbia, Argentina, New Zealand, Ukraine, England, Scotland, The Netherlands, Australia, Canada, Mexico, as well as in theaters throughout the United States. 1984, his critically-acclaimed stage adaptation of George Orwell's dystopic novel of the oppressive present/future, had its world premiere in 2006 at the Actors' Gang, directed by Academy Award winning actor Tim Robbins. After several extended runs in Los Angeles, 1984 has gone on to several national and international productions, has been translated into six languages, and published in two. Michael is also a Collective Member and Board Member of the San Francisco Mime Troupe. www.michaelgenesullivan.com
Velina Brown (Director, Actor, SFMT Collective) is pleased to step into a new role for the Mime Troupe and direct Tales of the Resistance. For 25 years Velina has been a principal performer for the Mime Troupe. She was the Devil in Deal With the Devil, Veronique in Veronique of the Mounties, she's played Condoleeza Rice three times, and was both an actor and contributing lyricist on GodFellas and Making a Killing. Velina's most recent Troupe shows include WALLS, Schooled, Ripple Effect, Red State, Too Big to Fail, and Posibilidad: Or Death of the Worker for which she won a Bay Area Critics Circle Award for Best Principal Actress. Velina has toured France with the Word for Word, and Spain and Portugal with Brooklyn based ensemble Barbez in support of their album For Those Who Came After: Songs of the Resistance from the Spanish Civil War. Other credits include A.C.T., Berkeley Repertory Theatre, California Shakespeare Theatre, New Conservatory Theatre, Theatre Rhinoceros, SF Playhouse, Lorraine Hansberry Theatre and many others as well as film, television and commercials. Velina also voices video games, training films, narrates documentaries and writes an advice column for Theatre Bay Area called The Business of Show Biz. For more info. about Velina please visit www.velinabrown.com
Marie Cartier (Writer, Actor, SFMT Collective) has been working with the Mime Troupe since 2012. Born and raised in San Francisco, her theater practices encompass a variety of roles. She has created props for the last four years of Mime Troupe shows, and was also Scenic Painter and on the writing team for Treasure Island. Marie completed the Emerging Artist in Residence program at SFMT in 2017, by co-writing and performing her original work, Yesterday is Tomorrow. She has written, co-produced and performed in the original circus cabaret, Saturnalia: A Raunchy Circus Christmas for the last three years, as a founding member of Bow & Arrow: A Circus Theater Collective. She is looking forward to returning to work as a lighting technician at Oasis, San Francisco's premiere drag venue. While art remains virtual, you can check out her paintings and other visual art HERE. Marie is currently pursuing her Masters in Social Work at CSU East Bay.
Ellen Callas (Writer, General Manager, SFMT Collective) A native Chicagoan who cut her teeth on Second City, Ellen co-founded, in 1976, Hit and Run Theater, a political sketch comedy troupe that toured rural northern California for many years. Since joining the Mime Troupe in 1986, she has worked as a writer on (Ripped Van Winkle, Secrets in the Sand, Rats, Back to Normal, Escape from Cyberia, Revenger Rat, Soul Suckers, Eating It, 1600 Transylvania Ave, Doing Good, and Posibilidad. Also as an actor (Rats), director (Making a Killing) and as production, company & stage manager for various productions including the international collaboration and Asian tour of Big Wind. She also served as company manager for ACT's long running production of Angels In America: Parts I & II. She is committed to mentoring future activist artists and from its beginning has been an enthusiastic teacher and occasional project director of company's 24-year-old Youth Theater Project. Ellen credits her ability as an improviser for helping to navigate the rocky road of non-profit political theater.
Daniel Savio (Composer/Lyricist, Musician, SFMT Collective) started his professional theater career playing for the San Francisco Mime Troupe, participating in the tours of GodFellas ('06) and Making a Killing ('07). He later returned to the Troupe and has been a fixture in the pit the last five seasons, serving as keyboardist for Freedomland ('15), musical director and keyboardist for Schooled ('16), keyboardist and bassist for Walls ('17) and Seeing Red ('18), and lyricist and keyboardist for Treasure Island ('19). He is thrilled to be composer and lyricist for the Mime Troupe's first radio play ever.
Andre Amarotico (Actor) is returning for a third summer with the Mime Troupe. Andre studied theater at Stanford University, where he received the Evelyn M. Draper Prize for Performance and the Muses Prize in the Arts and Classics. Recent roles include Anthony in Sweeney Todd (6th Street Playhouse), Christopher Wren in The Mousetrap (Ross Valley Players), Bones in Treasure Island (SFMT), Kenickie in Grease (Mountain Play), Romeo in Romeo and Juliet (Throckmorton Theatre), Smith in An American Ma(u)l (BACCE), Joe in Seeing Red (SFMT), and the title roles in Hamlet and Macbeth (Stanford). He received a TBA nomination for outstanding featured actor in The 39 Steps (Ross Valley Players).
Lizzie Calogero (Actor) is a one-time Collective member and Mime Troupe regular; she played Jill Hawkins in last year's Treasure Island, and appeared in Walls, 2012 the Musical, Too Big to Fail, and Red State over the years. With roots in the United Kingdom, she has performed in plays around the Bay Area, with San Francisco Shakespeare Festival, Marin Theatre Company, Aurora Theatre, SF Playhouse, Center Rep, and Symmetry Theatre among others.
Brian Rivera (Actor) performed last summer with the SF Mime Troupe in Treasure Island. His past work with the Troupe also includes Doing Good (2005) and Posibilidad, or Death of the Worker (2010). He made his Broadway debut in the Tony Award winning revival of The King & I at Lincoln Center & subsequently the First National Broadway Tour. Brian's credits include the US Premiere of The Orphan of Zhao at ACT & La Jolla Playhouse. His other Bay Area credits include Major Barbara at ACT, Berkeley Repertory Theatre's Yellowjackets, and California Shakepeare Theater's American Night. Brian studied at Oxford University through BADA and earned his B.A. in Drama from San Francisco State University. Many thanks to the Collective, our cast, band, & staff. Ars Longa Vita Brevis.
Keiko Shimosato Carreiro (Actor, Writer, SFMT Collective) is a Collective and Board Member with the Tony award winning San Francisco Mime Troupe. Since 1987, she has been an Actor, Designer, Co- Writer and Director with the Company and has been in almost every summer show since joining. Keiko has performed at many theaters throughout the Bay Area, including Berkeley Rep, ACT, The Magic Theater, The Aurora Theater, Word for Word, and Center Rep. An award winning Costume Designer, nominated for TBA Best Costumes, Bay Area Critics Circle award, and recipient of the 2018 Meritorious Achievement Award, (American College Theater Festival), she has most recently been awarded the TBA Cash Grant towards creating her one person show. Keiko is one of the co-founders of Kunoichi Productions Theater Company, and a Resident Artist with Crowded Fire Theater. She is a teacher with The San Francisco Opera Guilds’ “Book to Bravo”and “Voices for Social Justice” programs.
Lisa Hori-Garcia (Actor, SFMT Collective) has been a principal performer and collaborator for the Troupe since 2004 in such shows as Seeing Red, Schooled, Posibilidad or Death of The Worker, Too Big To Fail and Doing Good to name a few. In 2016, Lisa received a TBA Nomination for Best Principal Actress in a Musical for her performance in Freedomland. She is also the program director and lead teacher of both the Mime Troupe's Youth Theater Project (YTP) and SFMT's summer intensive theater workshop. Lisa also works with other Bay Area companies, such as Cal Shakes, The Magic Theatre, Berkeley Rep, Word for Word and most recently appeared in ACT's Men on Boats and The Great Leap. Lisa is a former Ensemble Member & Production Manager with New WORLD Theater in Amherst, MA and received her BA from Smith College and MFA in Acting from the University of Southern California.
Marissa Ellison (Actor, Tour Manager) born and raised in Wisconsin, Marissa has been a theater-lover since her 3rd grade debut as an orphan in Annie. Her relationship with the Troupe began in the summer of 2017, when she spent her summer as a workshop student with the Troupe. Marissa graduated with her BA in Theatre Arts from Marquette University. Since then, she has had the opportunity to perform in the Bay Area with Douglas Morrisson Theatre, Moonrisers, Ross Valley Players and Landmark Musical Theatre. Marissa is always excited to spend time at the Mime Troupe and be involved with such passionate theatre professionals!
Michael J. Asberry (Actor) most recently performed in I'm Back in the Best of Playground Festival's ZoomFest; He's also performed with Aurora Theatre Company; Sacramento Theatre Company; Capital Stage Company; San Francisco Shakespeare Festival, Pacific Conservatory Theatre; TheatreWorks; A.C.T.; Shotgun Theater and the Lorraine Hansberry Theatre. Film and television credits include San Andreas (Warner Brothers); Chance (Hulu); Trauma (NBC); Nash Bridges (CBS) and voiceover for Pixar Animation, Clorox, Pine Sol and the video game, Watchdogs 2. My Fellow Artists: Let’s keep making people laugh, cry, think and DO... My Fellow Citizens: Spread Love. Michael J. Asberry on Facebook and @michaeljasberry on Instagram.
Marilet Martinez (Actor) recently seen in the Magic Theatre's critically acclaimed Don’t Eat the Mangos, Marilet is a San Francisco native, actor, improviser, teaching artist with an emphasis in trauma-informed practice, and fight choreographer. Bay Area credits include: Walls (Zaniyah),San Francisco Mime Troupe; Heart Shaped Nebula (Dahlila), Shotgun Players; TheTaming (Bianca) and Forever Never Comes(Sandra), Crowded Fire; Learn To Be Latina(Blanca), Romeo and Juliet (Mercutio),Mutt (Various), Impact Theatre; Mud (Mae),Tontlawald (Lona), Ondine (Mist), A Dream Play (Gatekeeper), Ubu Roi (Various),Cutting Ball Theater; Santos and Santos(Nena), Teatrovision. Recently relocated to Chicago, Marilet is one-fourth of the ALTA (Alliance for LatinxTheatre Artists) award-winning, all-Latina improv and sketch team Ratas de DosPatas. Ratas has played festivals across the country and last year debuted their sold-out sketch show The Invocation of Selena,inspired by la reina Selena Quintanilla-Perez.Marilet is an ensemble member of Comedy Sportz Chicago. Follow her on Instagram @mariletmartinezsf and @ratas_de_2_patas
Robert Ernst (Actor) first saw the mime troupe in Iowa City, Iowa in 1966(?!), with Peter Cohon at the helm. We had to pay to leave! It was extortion—It was terrific! Then, recently, I did Red-State (2008), The Prison Project (2009), and now this — also, I was born-on a pig farm—on staff at Univ. Of Iowa in the late 60’s—co-founded both the CNPA -performance dept., and The Growtowski inspired — Iowa Theatre Lab — Came West with John O’Keefe in 1972 to work at the Magic First performed solo work in - 1973, Co-founded The Blake St. Hawkeyes Performed a solo marathon for 24 hours and 12 minutes, SF International Arts Festival, towards/away. Magic, The Nano Plays The Buck & Bill Show at the Yes to Everything Festival, Blow-Jam Musical Cruise. Smooth Toad. I have Acted in the Road (Eureka Theatre), Playland (The Magic Theatre), The Speed of Darkness (Berkeley Rep), Time of your Life and Philistines (ACT), Last Blue Couch (Epiphany Prod), City Island Water-Ways (Rhythmx). Awards: Dramalogue/Tokens, Critic’s Circle/Indra’s Net, Copenhagen
Elizabeth Carter (Actor) is thrilled to be a part of SF Mime Troupe's Tales Of Resistance. This San Francisco Bay Area actor’s credits include You Never Can Tell, Othello, As You Like it, Romeo and Juliet, Richard II, for California Shakespeare Theater, The Crucible and The Convert for Marin Theatre Co. where she was nominated for both SFBATCO and TBA Awards, Fences, Joe Turners Come and Gone at Lorraine Hansberry Theatre, Nickel and Dimed at TheatreWorks, Merry Wives of Winsor for SF Shakespeare Festival, Trouble in Mind, Wittenberg where she was nominated for a SFBATCO Award and The Heir Apparent and the Eureka Day! Winner of the Theatre Bay Area Award for Best World Premiere and SF Chronicle Top Ten plays of 2018 at the Aurora Theatre Co. and The Black Rider at Shotgun Players. She continues to dive into new works with The Ground Floor at Berkeley Rep. She is currently directing a "virtual" King Lear for SF Shakespeare Festival.
Milo Carter-Daniels (Actor) is excited to be a part of Tales of Resistance with the SF Mime Troupe. He is a budding young actor, who also enjoys sports and art, as well as Minecraft. He has performed as Banquo in Macbeth at SF Shakespeare Summer Camp and as a victim of Dracula at Ruth Asawa School of the Arts. He can be heard in the VR game The Rig.
Jarion Monroe (Actor) most recently appeared as King Arthur in Spamalot at Marin Shakes , and has recently been seen as Jack in Berkeley Rep’s Imaginary Comforts, Fezziwig in ACT’s A Christmas Carol, and The Complete Works of William Shakespeare at Marin Shakes. His fifty year career includes all the major theaters in the Bay Area, as well as South Coast Rep, Yale Rep, Arizona Rep, Teatro ZinZanni, off Broadway theaters, and the Oregon Shakespeare Theater. His favorite role in film was as Not-Professor X in The Internship, and he was in one of the first Seinfeld shows and one of the last Frasier shows. He won the Natalie Wood Award when he was at UCLA, and was once knocked downstairs by Michael Landon in Bonanza, and literally knocked out by his “father”, Strother Martin, in the same episode.
Cassie Grilley (Actor) was born and raised in San Francisco and has grown up watching the SF Mime Troupe and is so excited to be a part of it! She received a B.A. in Drama from the University of California, Irvine. Before quarantine, Cassie was last seen as Lucy/White Witch/Susan in THE LION THE WITCH AND THE WARDROBE with Bay Area Children’s Theatre and Tracy Turnblad in HAIRSPRAY with Bay Area Musicals.
Hugo E Carbajal (Actor) joined SFMT Collective in 2014. Last seen on the Troupe stage in Freedomland. He began his involvement with the Mime Troupe as a mask designer for the production of 2012: The Musical! Later, he performed in SFMT's Oil & Water. He has also performed with Bay Area companies such as Cal Shakes, Cuttingball, Bay Area Children's Theatre, Shotgun Players, Stagebridge, Marin Theatre Company, Alter Theater Ensemble, Shadowlight, and TeatroVision. Hugo is currently living in LA and has been spotted on tv shows such as Brooklyn Nine Nine, SWAT, Good Girls, and Scandal among others. Follow @HugoECarbajal on Twitter and Instagram!
Amos Glick (Actor) has been able create a career out of acting like an idiot and refusing to grow up. Highlights include: Reveria (Acting Coach & Clown Act Conceptor - The Municipal Circus Of Bucharest), Graeme Of Thrones (Nat'l Tour), Piff The Magic Dragon’s Piffmas Pifftacular, Impro Studio, Fraudway LA, Le Reve, The SF Mime Troupe, The SF Shakespeare Festival, The New Pickle Family Circus, BATS Improv & True Fiction Magazine. Film: Popovich: The Road To Hollywood, The Village Barbershop, Opal, Around The Fire. TV: Agents Of Shield, Just Roll With It, Nash Bridges. Hobbies include making music, sometimes plays hockey and loves bluegrass and the Grateful Dead. He wrote, produced and starred in the award-winning short film A Man Wakes Up. Visit www.amosglick.com
Rotimi Agbabiaka (Actor) most recently originated the roles of Salima in House of Joy (California Shakespeare Theatre) and Cellphone/Narrator in If Pretty Hurts Ugly Must Be a Muhfucka (Playwrights Horizons, NYC). Other acting credits include Father Comes Home From the Wars … (American Conservatory Theatre/Yale Repertory Theatre), Tom Waits’ Black Rider (Shotgun Players), Bootycandy (Brava Theater/BACCE, Theatre Bay Area award), originating the title role in runboyrun (Magic Theatre), and several shows with the Tony Award-winning San Francisco Mime Troupe. Rotimi penned the plays Type/Caste (Theatre Bay Area award), MANIFESTO, and Seeing Red; teaches performance to students from pre-school through college; and has graced nightlife stages around the world (as alter ego Miss Cleo Patois). Visit www.rotimionline.com
Gillian Eichenberger (Actor) is a Bay Area performance artist and theater educator. She was recently seen playing The Governess in a live-streamed production of The Turn of the Screw with 6th Street Playhouse. Other favorite roles include Juliet in Romeo and Juliet (Throckmorton Theater), Roxie in Chicago (NTC), Frenchy in Grease (Mountain Play), April in Company (NTC), and Miss Honey in Matilda, a production in which she acted alongside her real-life students. Besides being onstage, her other joy is being a director and vocal coach for K-12th graders in Marin County, with productions like Urinetown for Redwood High School and Chicago for Katia & Co. She is delighted to be a part of the Mime Troupe's trailblazing radio programming!
Michael Gene Sullivan (Head Writer, Actor, SFMT Collective) SEE ABOVE.
Velina Brown (Director, Actor, SFMT Collective) SEE ABOVE.
Marie Cartier (Writer, Actor, SFMT Collective) SEE ABOVE.
Dylan Jennings (Musician) is a multi instrumentalist woodwind musician who plays an eclectic assortment of music with bands all across the Bay Area. He grew up in ska, punk, and jazz music and found his way to San Francisco hailing from Riverside 6 years ago to further expand his musical experience and skill as a musician. He currently plays in groups such as Lagos Roots Afrobeat Ensemble, Bicicletas por la Paz, Sapphire Lung, and other notable groups in the Bay.
Dred Scott (Music Producer, Musician) is a Mime Troupe alumni. During the 1990's, Dred was in the pit and on the stage for a half dozen Mime Troupe shows, among them the anti-Gulf War show, Back To Normal, the cigarette expose that went to nearly every high school in Northern California, Revenger Rat. Dred produced and played on Mime Troupe legend, Bruce Barthol's first solo album, The Decline and Fall of Everything. Dred also toured the Mime Troupe production of Robert Jason Alexander's great retelling of Uncle Tom's Cabin called, I Ain't Yo' Uncle. Dred was co-founder of the ground-breaking, Oakland based, hip-hop jazz group, Alphabet Soup. Dred has been living and working in NYC the last 20 years and just released his 12th album on Ropeadope Records entitled, Dred Scott Rides Alone. He wrote all the songs and played all the instruments.
Adam Theis (Musician) (pronounced "Thēese") is a multi-instrumentalist, producer, bandleader and composer based in Oakland, CA who plays trombone, trumpet, tuba, bass, keyboards and anything/everything else he can get his hands on. In 2000, Theis co-founded Jazz Mafia - an eclectic artist collective of some of the most forward thinking and accomplished players in the fields of Electro, Hip-Hop, World, Classical and of course, Jazz. As Jazz Mafia’s director, Adam has assembled over 100 different live projects over the past 20 years and led/co-led dozens of acclaimed bands. He is also the Director of SFJAZZ's Monday Night Band, Director of the Truckee Jazz Camp, and winner of the Gerbode-Hewlett Foundation’s “Emerging Composer” Grant. Theis has produced and co-written music for notable artists such as Lyrics Born, Zion-I, Rebelution, Latyrx, Galactic, Ledesi, Blackalicious and many more. As a sideman, Adam and his horn section have created eclectic collaborations with a wide range of top level artists including: Bobby McFerrin, Roy Ayers, Chali 2na, Booker T. Jones, Spearhead, Zigaboo Modeliste, Zap Mama, Eric Lindell, Dead Winter Carpenters, KRS One, Wax Tailor, The New Master Sounds, Peter Rowan, Coultrain, J Boogie’s Dubtronic Science, The Velvet Teen and dozens more. Adam's commitment to bringing high quality, creative, independent, and diverse music to the Bay Area (and beyond!) lies at the center of the Jazz Mafia movement. He is a cornerstone of the music community – shaping the sound of San Francisco and influencing the lives and careers of hundreds of musicians and audience-members all over the world.
Daniel Savio (Compser/Lyricist, Musician, SFMT Collective) SEE ABOVE.
Taylor Gonzalez (Sound Designer/Audio Engineer, SFMT Collective) is excited to be working in this new medium with the San Francisco Mime Troupe. He is looking forward to the challenges ahead while working on a radio serial. During this time while sheltering in place Taylor has also been working on production and engineering for local bands albums. He is looking forward to getting back into the field to continue his work as a live audio engineer around the Bay Area, and is excited to work with the Mime Troupe for his 5th straight summer production.
Karen Runk (Production Stage Manager) moved to SF with the intention of only staying for a few months... Over two decades later she's still here! This is largely due to the talented folks at the SF Mime Troupe and thanks to Golden Thread Productions where she has been a Resident Artist since 2018 - but mostly it's due to rent control! Runk has also stage managed with Word For Word, Magic Theater, SFShakes, Intersection for the Arts, and African American Shakespeare Company.
Kari Barclay (Community Engagement) is a writer, director, and educator who advances democracy and tells human stories of sexuality. Originally from Washington, DC, he has made work regionally and in New York at venues including Round House Theater, the San Francisco Mime Troupe Studio, and Manbites Dog. His play CAN I HOLD YOU? was one of the first plays about asexuality performed in the U.S. and has been developed in the Bay and New York. Kari is a 2020 Bay Area Playwrights Festival finalist, recipient of the Sudler Award in the Arts, and Ric Weiland Fellow at Stanford University. kari-barclay.com
Keith Arcuragi (Audio Assistant) is a sound designer, stage manager, and voice actor from Camden, Ohio. He has previously interned in sound at the Mime Troupe for Ripple Effect and Freedomland, and co-sound designed Schooled. Additionally, he dramaturged and was community engagement coordinator for Freedomland. Throughout 2016 and early 2017, he conducted research for the preliminary version of Walls through a grant program in which the Mime Troupe visited a prison, undocumented migrants, and a high school to directly learn about public health in marginalized communities and amplify their voices. He has previously worked backstage at Z-Space’s production of A House Tour of the Infamous Porter Family Mansion with Tour Guide Weston Ludlow Londonderry, African-American Shakespare Company’s production of Cinderella, and two of Golden Thread Productions’ ReOrient Festivals, as well as various other projects in his home state of Ohio.
Marissa Ellison (Actor, Tour Manager) SEE ABOVE.